USD Magazine, Spring 1992
Uneven in ability, the students appear to be equal in effort and concentration. For although they are not necessarily dancers, ballet is a necessary part of their training as first-year students in the Old Globe The– atre/USO Master of Fine Arts degree program. This two-year program leading to an MFA in dramat– ic arts requires total immersion in a life of classes, pri– vate instruction and theatrical production. The program is now in its fifth year. Craig Noel, long– time artistic director and now executive director at the Old Globe Theatre, came up with the idea for an MFA program because the actors he auditioned, even graduates of MFA programs elsewhere, didn't have the skills for classical theater. USD Provost Sister Sally Furay, then a member of the Old Globe's board, provided the link to USD, and a program was devel– oped with the university's English department. "We wanted to do this in conjunction with a university because a lot of actors don't have a history of the arts, or political science - they don't know enough about the world," Noel says. "And theater is so self-consuming, all consuming, once you're in it ." r ichard Easton is the program's full-time actor/ mentor. Well known to Old Globe patrons for his many roles in Shakespeare, he also has played at the Royal Shakespeare Theatre - Stratford, Ontario, and Stratford, Ct; in theater productions world-wide; and, recently, in the films "Henry V" and "Dead Again." Throughout the morning in Sacred Heart Hall, stu– dents mention Easton's name again and again. He is an inspirational genius, they say, as well as a friend. Easton says the key to the success of the MFA program is its ties to the Old Globe, that this is perhaps one of the only ways to e:,...-perience the type of apprenticeship that used to be gained in summer stock, for example. The Old Globe/USD program is one of only a handful in the country jointly operated by a theater and a university. So by the time the spring semester is over, the students in Room 101 will be memorizing lines for roles they will take this summer in various Old Globe productions. At the same time, they will understudy other actors at the theater throughout the Globe's summer and fall seasons. The students have already worked together in two cam– pus productions, '"11/acBeth, directed by Craig Noel, and The Recruiting Officer, directed by Nicholas Martin. Later this spring, the MFA students will remount i11acBeth in Palm Desert for students in the Coachella Valley.
"The important thing for me was getting on the boards of a real working theater," Cuzzocrea says during a break between ballet and v oice and speech class. He got into acting on a lark, going along with a fellow lifeguard to an audition while attending the University of Vir– ginia. A film director saw his audition and encouraged him to try out for a National Geographic film. Next semester, he appeared in three shows on the main stage at UVA. "The bug bit pretty hard," he says. "I suddenly felt cre– ative and free." After gTaduation, Cuzzocrea went to New York City. He was a success by New York stan– dards, w hich meant he got a lot of call-backs, and his
1 J
name was known around town. He studied with Sanford
Meisner at The Neighborhood Playhouse, and appeared in some
off-Broadway plays. One of Cuzzocrea's fellow cast members in one of those plays, Tartuffe, was Amy Beth Cohn, who was
accepted into the Old Globe/USD program a short time later. The next year, Cuzzocrea applied for and was accepted into the program himself. Not that it's easy to receive an MFA scholarship. Some 180 people have applied for eight places in next year's class. David Hay, a member of the English faculty and director of the MFA progTam, and Richard Easton recently completed an audition tour that took them to New York, Chicago, San Francisco, and Dallas - as well as Los Angeles and San Diego. Local students in the program have included San Diegan Triney Sandoval, who earned his MFA last year, and Angie Fernandez, currently a second-year student. fl n Cuzzocrea's class, everyone is from someplace else, and some have drastically altered course to be here. Dan Gunther, who recalls attending the Old Globe when he was 7 years old, spent the last nine years earning his M.D. at the University of California, San Francisco, then decided to give himself a year's
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