Bishop Buddy Scrapbook 1938-1940

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THE sO THER. Holy Cross Chapel Mar R_u E I bel Des_~ri~~s.. H~~U~!:S 1 ---------------~l.!¾:...... battl beauty of the grain. The tnm 1eum nave oeeu l.-asi; ine rd!J

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around the crypts is also of con- Coat-of-Arms, together with the trasting soft-toned marble. The crests of the Apostolic Delegate to walls above are of smooth painted the United States, the Archbishop concrete. All doors are of hea\'y of Los Angeles and the Bishop of oak construction; all windows are San Diego. These various crests of metal frame glazed with ex- haYe been cast in the floor so quisite stained glass. The electri- smoothly as to seem painted on cal fixtures are of cast bronze the surface-an ingenious bit of fitted with a soft amber glass craftsmanship indeed. which reflects a semi-indirect STAINED GLASS WINDOWS light. Each massive lamp is SUS- IN 1\,IAUSOLEUM pended from th e ceiling by five The windows in the Holy Cross chains, approp~iately c~pped by a I Mausoleum are breathtaking in ball and cross m matchmg bronze. . . MARBLE IN MAUSOLEUM their b_eauty of color a:id design. Twelve kinds of marble are The wmdows were des1gne~ and d • th t t· f th executed by Mr. Fred Wieland, use m e cons rue wn ° e who is a master of the stained Holy Cross Mausoleum. Nearly glass art. half of the marble used was quar- All of the glass used in the

We may appl What is really peremphasis on dio; ')Ul' Hollyw magazines and cauSP. ribald Jau they are the pie they provoke dai the afternoon br Sex is no Ion tended it. To ligion. all that Purity and chas tionality in publi of the lower pas or with careful accepted. It is this ani in our secular h thing natural t peopling our pen urns, and empt self-control is gi posterity of mor of the greatest n families, and "da blood. HU!'lc;ireds of lie awake every and despondent! because their r

his arms. On the east side of the a: ~ is a very lovely guardian ar ~~ window, of circular type, wl · · on the west wall just oppositE ) . another circular window dep • ing the Holy Ghost. High ab the altar is yet a third circt f window, which is also original design and embodies the Cross the centerpiece. Here is rep duced Guido Reini's "Ecce Hon in the center of the Cross its1 with the four circular con pieces depicting the four EvE gelists-Matthew, Mark, Luke a John. In the clerestory again are ..... dll!J ~Udu.lUV[

ried in Italy, with one kind com– ing from Belgium and the rest coming from Alaska and various parts of the United· ·states. In the lobby the couch crypt fronts are of Cremo and Botticino marble imported from Italy. In the east and west corridors the cryp1, fronts are of light clouded Alaska marble trimmed with Gravina marble, also quarried in Alaska. The wall space opposite these -.tanns Jo S'.)sa.ta'.)ur aq'.) UI ''.).rnd -dns Illn'.)nw pull .&gun .taq')'B.t '.)nq •wsrullr.rn'lruuwnq amiwnq aur -nua.3 JO Sa'.jll[11'.jSOd atn pull SUB'[ -'.)SJ.tl.lO 1nJq'.)plJ Jo am aq'.) u.taAo2 '.lllllt SMlll aq'.) uaaM.'.)aq uomsoddo ou sr a.taq.r, i wsro2a aAqnano:i .rn renprAwur '.)sure2ll a1,:rnn.qs .,raq'.) ur aAO'I Jo 1adsoo aq'.j Jo suossar daap aq'.) J.:q pa'.)Baw.tad aq saA1as -waq'.) '.Jar p1noM anad qsnq'B'.)Sa O'.j 2t.rp[.tOA\ sa:i.toJ lBUO'['.j'BU.Ia'.j

Holy Cross Mausoleum windows is of the very highest grade, much of it having been imported from various European countries. The glass being fired under a high degree of heat, the designs can never be obscured by the passage of time, but will remain perm– anent through the years. To al– low for the slight dimming of the colors by the elements and tern- perature changes, very deep rich shades have been used on these . windows throughout. j As one approaches the Mauso– ' leum he sees first the lovely rose , window set high above the main J entrance. Lower down on the I right-hand side is a window de– f signed after Raphael's "Trans– t figuration"-with an inscription in French at its base. Flanking this window on the left is a re– a' production of the "Crucifixion"- - a very beautiful and original com- ' positon of stained glass art. The pri inscription under this window is O'Donoghue, pascu1· u1 "'"· ....... ~ V Church, E' n c an to. Father O'Donoghue in his discourse traced the progress of the Church down through the ages, showing how in every generation the Church bad successfully fostered \ the arts and sciences and bad preserved the greatest monuments in the world. Father O'Donogbue referred to the Holy Cross Chapel– Mausoleum as another triumph in architecture and Christian art. The full text of his beautiful mes– sage will appear in next week's southern cross. A large concourse of priests, sisters, and both Catholic and non-Catl1olic laity were present for the solemn dedication and Mass of Requiem. Many pr~s~nt from both San Diego and ad_J01~– . ities expressed enthus1ast1c • admiration for both the mass~vt construction and the elegant fm- ish. OPENING SUNDAY mg C

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FRIDAY, NOVEMBER 3, 1939

BISHOP CHANTf R[ijUIEM MASS Al MAUSOlEUM Holy C r o s s Mausoleum– .Chapel Dedicated with Solemn Ceremonies; Wins General Admiration; Eh;,– quent Sermon by the Rev. Daniel O'Donoghue. Consecration of the litur– gical marble Altar at the n e w Holy Cross Chapel Mausoleum on Tuesday was followed immediately by His Excellency, the Most Rev. Charles F. Buddy, celebrating the first Mass on the Altar and on All Soul's Day. by solemn dedicatory rites at 11 :00 a.m when the new edifice officially received the title of Holy Cross.

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General opening of the edifice will be held Sunday afternoon, uhen ushers will be present from 'iv . t 2 :00 to 4:00 p.m. to expla~. o visitors the beauties of the ed1f1ce. Benediction of the Most Blessed Sacrament will be given at the close of the afternoon. when the Rt. Rev . Msgr. John M. Hegarty will officiate at 4:00 p.m.